Fluid Gold Journal is an online journal publication, featuring dynamic substance and engaging lives from Filipinos and Asian communities across the globe. Fashion Creators’ Eruptive Nature Jay-r Gamboa Flores Filipino Fashion Designer Michel & Amazonka Mongolian Fashion Designers Nguyễn Tiến Truyển Vietnamese Fashion Designer Lê Ngọc Lâm Vietnamese Fashion Designer Kermit Tesoro Filipino Artist and Fashion Designer Minae Lee Korean American Luxury Real Estate Agent & Developer ART GALLERY PING HATTA THAILAND BRIAN HOANG VIETNAM ANNI LIU CHINA Travel & Lifestyle Diary Adobo, The Root of Happiness by: Albert Bloise | USA Growing up as both Dominican and Filipino, I always had identity issues when it came to my ethnicity. It was tough to fit into either culture, and I often put a lot of pressure on myself—pressure that, looking back, was all in my head. In school and summer camp, no one believed I was Dominican, and the fact that I didn’t speak Spanish didn’t help my case. As for my Asian heritage, I was bullied and given a lazy nickname, “Soysauce.” It even went so far as being asked if I ate cats or dogs. As a result, I stopped sharing my unique lineage and started labeling myself simply as American. It wasn’t until I got older that things began to change. When I realized I wanted to cook for a living, I sought to shine a light on the cuisines of both my cultures. From cooking with specific ingredients to observing how certain techniques were used, I was intrigued. That curiosity became the foundation of my passion for cooking. As I delved deeper into Dominican and Filipino cuisine, I immediately noticed many similarities. Both cuisines have a variety of stews and fried delicacies, with rice or some type of starch as the main vessel for most dishes. The more I learned about my Dominican and Filipino roots, the more I fell in love with the cultures. This filled me with pride and a deep connection to these beautiful countries. The Philippines were colonized by Spain in 1565, bringing a lot of Spanish influence to the country, both in food and other aspects of their culture. Interestingly, the Spanish Empire was introduced to the adobo cooking process, which was first created in the Philippines! I used to hate being asked, “What is your favorite thing to cook?” I found the question repetitive and difficult to answer. However, as time went on, I found a solid answer—it’s adobo! Adobo is often described as “the unofficial dish of the Philippines.” It’s a simple stew usually made with chicken, soy sauce, vinegar, bay leaf, garlic, and peppercorns. While straightforward, it can be prepared in different ways, using various techniques and ingredients. The word “adobo” comes from the Spanish word “adobar,” which means “to marinate.” In Spanish cuisine, there is a type of adobo as well, which, though different, shares similarities with Filipino adobo. The Spanish version is a paste rather than a stew but also features garlic and vinegar prominently. The more I cook, the more I find myself making adobo, sharing it with the people I love, and boasting about how proud I am of this dish and my culture. I realized that adobo is the connecting bridge between my Dominican and Filipino sides. As someone who used to feel like I didn’t belong to either culture and was unsure where I fit in, it brings me such relief to finally say how proud I am to be both Dominican and Filipino. Both cultures are actually very similar in many ways, from language to cuisine. It brings me immense happiness to teach and show people how to make adobo, and I’m always excited for them to take that first bite. I feel like I’m introducing them to a whole new world and educating them. These two cuisines are all about pride in where they’re from and about togetherness, creating a sense of welcome and inclusion. I’m all about making people feel comfortable and welcome with something as simple as food. Nothing makes me happier than showing off where my roots are from, and I owe that to adobo. Photos provided by Albert Blloise A Glimpse of Mongolia by: Buyantogtokh Sukhbaatar and Yeruultuvshin Chimeddorj | Mongolia Mongolian Lunar New Year: Tsagaan Sar Tsagaan Sar, or the Mongolian Lunar New Year, is one of Mongolia's most important and revered holidays. It marks the beginning of a new year and the arrival of spring. Celebrated over several days, Tsagaan Sar is a time for families to gather, honor elders, and partake in traditional customs. The holiday is rich in symbolism and rituals. Families prepare a feast featuring "buuz" (steamed dumplings) and a special dish called "Uuts," a whole side of sheep. Homes are meticulously cleaned and adorned, as cleanliness symbolizes a fresh start. The celebration begins with the "Bituun" night, the eve of Tsagaan Sar, where families enjoy a large meal and clear out old food to welcome the new year with abundance. On New Year's Day, people dress in traditional clothing, visit relatives, exchange gifts, and offer blessings for health, happiness, and prosperity in the coming year. Tsagaan Sar is a beautiful blend of cultural tradition, family values, and spiritual renewal, deeply rooted in Mongolian heritage. Traditional Home: The Architecture of Ger A Mongolian ger, also known as a yurt, is a traditional portable dwelling used by nomadic herders. The ger is circular, with a wooden frame and felt coverings, designed to be easily assembled and disassembled as families move with their livestock. The structure is highly practical for the harsh Mongolian climate, offering warmth in winter and coolness in summer. Inside, the space is arranged according to traditional customs, with specific areas designated for cooking, sleeping, and socializing. The ger is not just a home but a symbol of Mongolian culture and the nomadic way of life, representing resilience, simplicity, and a deep connection to nature. Traditional Sports Festival: Naadam Naadam is Mongolia’s most iconic holiday, celebrated every year in mid-July. Known locally as "Eriin Gurvan Naadam," which translates to "The Three Manly Games," this national festival is a vibrant display of the country’s rich cultural heritage and the enduring spirit of the Mongolian people. The festival centers around three traditional sports: wrestling, horse racing, and archery. These games have been practiced for centuries, dating back to the time of Genghis Khan, and continue to be a source of national pride. Mongolian wrestling, or "bökh," is a highly respected sport, with wrestlers competing for titles and honor. Horse racing during Naadam is unique, as the races involve young riders, some as young as five, racing across vast open plains on semi-wild horses. Archery, the third sport, showcases the skill and precision of archers, who use traditional Mongolian bows to hit targets from great distances. Naadam is more than just a sporting event; it’s a time for Mongolians to celebrate their history, culture, and unity. The festival also features traditional music, dance, and vibrant national costumes, making it a spectacular showcase of Mongolian identity. For both locals and visitors, Naadam offers a unique glimpse into the heart of Mongolia, where the past and present come together in a powerful expression of tradition, strength, and pride. Video Credit: Buyantogtokh Sukhbaatar and Yeruultuvshin Chimeddorj The State of Samoa by: Hazel Octa | USA Located in the central South Pacific, Samoa is a Polynesian island nation known for its lush tropical forests and volcanic origins. It consists of two main islands, Upolu and Savai’i, along with smaller inhabited islands such as Manono and Apolima. The capital city, Apia, is situated on Upolu, one of the country’s primary islands. With its tropical climate and rich natural beauty, Samoa is a true paradise. Fale Beach One of the accommodations we stayed in was a fale (hut) by the beach. These oceanfront fales are common on the island, and you can rent them for the day or for an overnight stay or two. It’s like beach camping in a hut, with different styles available. You can rent the most basic kind that is open or one that is enclosed with an attached bathroom. We chose the enclosed one with an attached bathroom, as I dislike shared bathrooms when I travel. One thing to note is that the nicer and more popular fales need to be booked in advance. I initially looked into booking a night at Litia Sini Beach Resort, but it was already sold out when I tried to reserve two weeks before our trip. Instead, we stayed at the one next to it called Taufua Beach Fales, and we were happy with that choice. The beach is beautiful, and our room was surprisingly comfortable. This reservation included a full-board meal (breakfast, lunch, and dinner) for $89 per night. The meals were served at a communal-style table in their restaurant. There was plenty of food, and it was delicious. They don’t serve the same menu every day, and we were envious to hear that we missed the lobster dinner from the night before. Besides the beautiful surroundings, one of the things I enjoyed during our overnight stay was chasing cute hermit crabs and making friends with the resident cats and dogs. Waterfall I love seeing waterfalls, so if there is an opportunity to visit one, it is always on my itinerary. On the island of Upolu, there are a few, but I only had the chance to visit two of them. One of them is named Fuisipia Waterfall. While getting to the top of the falls is only a short distance from where you park your car (managed by a local resident), the pool of water at the base of the falls is not accessible. Sinalei Lodging After “roughing it” at our last accommodation at Taufua Beach Fales, we upgraded our stay for the next two nights at Sinalei Reef Resort & Spa. The island offers a few high-end resort accommodations that can range in price between $250 and $1,000 per night. Our room cost about $305 per night, including taxes and fees, as well as a complimentary continental breakfast. The room itself is somewhat dated, but the resort grounds are well-maintained and beautiful. The resort has access to a clean and calm beach. Dining It was close to 2 p.m. when we arrived, and that was low tide, so you can walk until the water color changes to dark blue. That is where you will see tons of live clams! If you have sensitive feet like me, I recommend wearing water socks or shoes, as entry to this beach is pretty rocky and full of broken coral. Spa at Sinalei Beach We visited the spa for our 60-minute couples massage. The cost was $106 and included a bottle of wine that we enjoyed for dinner that night. The massage was amazing, and that price is unheard of here in the U.S.! At the Giant Clam Sanctuary Sadly, you will notice that some clams have a white haze on top of them. Apparently, the chemicals from sunscreen and sunblock cause this phenomenon. The young man who collected our entry fee told us we could not wear any kind of sunscreen or sunblock, even the “reef-safe” kind. It’s best to wear a rash guard shirt for sun protection. We gladly obliged, and I am glad they are enforcing this rule. Snorkeling to Find Clams It was close to 2 p.m. when we arrived, and that was low tide, so you can walk until the water color changes to dark blue. That is where you will see tons of live clams! If you have sensitive feet like me, I recommend wearing water socks or shoes, as entry to this beach is pretty rocky and full of broken coral. Video This video shows how many clams there are in this sanctuary. It's something I have never seen before. The average size is about that of a football. The giant clams (not shown here) are not as colorful as the smaller ones, but their size is very impressive! It is definitely worth the stop, and it’s better to visit during high tide. If you have any further questions or need additional assistance, feel free to ask! Video Credit: Hazel Octa

Maria Rivera New York Runway Model Maria Rivera: From Manila to Manhattan, A Journey of Resilience and Grace An influencer in her own right, Maria Rivera is a fashion model in New York City whose career began in the Philippines. She was born and raised in Sampaloc, Manila, by her grandmother Lola Tule (Lola translates to grandmother). Sampaloc (which translates to Tamarind, as the area once had an abundance of tamarind trees) is a district situated in the northern part of Manila. It is known for its bustling markets with vibrant scenes, much like the vibrant, cheerful, well-dressed, and elegant Maria when she first walked into the café in downtown Manhattan for her interview. She also carries the spirit of Bulacan from her father’s side and Pampanga from her mother’s side. Bulacan is located in the northern part of Manila, a place that played a very important role in Philippine history. It is where the first republic, or Malolos Republic, was declared in 1899, following the Philippines' Declaration of Independence from Spanish colonial rule in 1898. The province of Pampanga, on the other hand, is situated in Central Luzon. It is known as the culinary capital of the Philippines and a major agricultural region producing rice. From her already vivacious life as a city girl in Manila, Maria relocated alone to New York City five years ago, signing with a New York-based modeling agency. She was immediately tested by the stringent demands of the fashion industry, from meeting strict standards for physique to navigating a culture of both success and rejection. Alone in a big city with no one to rely on, Maria found comfort when she met another Filipino model in New York. The two became good friends, planning their highly disciplined eating routines and naturally becoming each other’s support system. “Rejection became our meal,” Maria explains. Going to casting calls made her realize that there are so many beautiful women in New York, raising the question of why she was even there. Models are pushed to be someone the job requires, but not necessarily someone they want to be. Over time, Maria faced her challenges with resilience and grace, a prominent quality of a Filipina. The compliments and attention she received made her timid, yet they also provided her the feeling of validation as a rightful public figure who can positively affect people. New York City indeed is not lacking in beautiful models, but what is remarkable about Maria is that for a young woman, she is dignified. Regardless of the details of her hardships working as a fashion model and the challenges imposed on her self-esteem, she speaks of her experiences maturely rather than defeated. For Maria, beauty is subjective. She reiterated that while some people are naturally suited to be models with their specific physical qualities, she doesn’t believe women have to be a size 2 or 0. It is not realistic. She recalls the time when she was asked to try out for the Victoria's Secret Pink casting. She dedicated months to prepare herself physically to the point of being emaciated. While her thin figure made it easy to wear clothes, it did not make her feel good. Today, Maria feels more beautiful, admitting she is very happy after meeting her supportive fiancé three years ago. As a promising vlogger with a significant following under the name “Mabuhay Maria,” Maria plans to create future vlogs for aspiring models, helping them understand the realities of the modeling industry. Her goal is to become a positive influencer. When asked about her identity as a Filipina, Maria immediately responded, “I am proud,” hence her vlogger name “Mabuhay Maria,” which translates to "live life, Maria." She explains that Filipinos are naturally jolly and accommodating, even to strangers. “Filipinos are very talented but sometimes don’t know it,” she added. They adapt easily to different environments and are fighters by nature. Maria identifies herself as a fighter, quoting Alicia Keys: “If you can make it here, you can make it anywhere.” In her foreseeable future, she sees her vlogging continuing to expand. She wants to use her platform to educate the world that Filipinos are not just nurses, beauty queens, and domestic helpers. She hopes to highlight Filipino successes and move away from clichés. As a fashion model and vlogger, Maria advises young people struggling with self-esteem to “listen and communicate with your family and relatives because your blood is your strongest ally.” She notes that many young people today turn to social media for information, often growing up too fast and being misled. Enjoying youth, living in the moment, and asking for help are also signs of strong character. Maria may not have had the chance to be raised closely by her parents, but being raised by Lola Tule certainly made her an outstanding individual. From a matriarchal upbringing, Maria was already a very grounded person before moving to New York City. When asked if she considers herself a New Yorker, she replied, “I am not a New Yorker, but I do add spice to New York.” Maria carries her success with humility and faces her difficulties with tenacity—a true Filipina indeed. Photo credit: Provided by Maria Rivera

Minae Lee Minae Lee’s Perspective: Where Fashion Meets Urban Development in New York City Fashion, derived from the Latin word “facere,” meaning “to make,” extends far beyond clothing and accessories. It embodies the prevailing styles that define not only what we wear, but also how we live and interact with the spaces around us. From the architecture that shapes our cities to the interior designs that create the sanctuaries of our homes, fashion is intrinsically linked to the evolution of style, innovation, functionality, and demand—all influenced by the trends of the times. For Minae Lee, a first-generation Korean American and principal of the 76 Eight Avenue office building development in New York, fashion is not just a personal statement but a professional ethos. As a luxury real estate agent newly aligned with the prestigious Charlie Attias Team in New York City, Lee navigates the intersections of design, development, and urban growth with a unique perspective informed by both her heritage and upbringing. A LEGACY OF REAL ESTATE Coming from a lineage steeped in real estate, Lee’s career trajectory seems almost preordained. Her father, an accomplished real estate investor and advisor, laid the groundwork for her professional pursuits. Yet, it’s her own experiences and the influence of her marriage to Sang Lee—a seasoned real estate attorney with over two decades of expertise in affordable housing development—that have truly enriched her journey. The real estate wisdom she inherited from her in-laws, who built homes in New Jersey, further solidified the foundation upon which she has built her career. Lee’s parents played pivotal roles in shaping her professional path, each contributing uniquely to her development. Her mother, an artist, fostered Lee’s early love for design through shared moments of drawing and painting. “I even considered becoming an interior designer,” Lee recalls, referencing her early interest that led her to take interior design classes. Meanwhile, her father’s journey from Japan to the United States in the 1980s exemplifies determination and adaptability. Balancing work in American hotel chains by day and studying at night, Lee’s father eventually completed a business degree and ventured into real estate after successfully running various businesses, including delis and restaurants. “I worked in the tech industry for a decade before taking a break after becoming a mother, but my passion for art and design was always there from when I was a little girl,” Lee reflects, highlighting the seamless transition from technology to real estate that her father’s influence made possible. THE IMPACT OF CULTURAL HERITAGE Adding to this rich tapestry, Lee’s father-in-law’s journey from South Korea to the United States in the 1960s to work for the United Nations underscores the importance of perseverance and hard work. His entrepreneurial spirit, mirrored by Lee’s in-laws who later invested in commercial and residential real estate, reinforces the notion that the intersection of business acumen and cultural heritage can lead to significant contributions in the real estate market. Together, Minae and Sang Lee have become a formidable duo, drawing on the wisdom and expertise of their parents to navigate and shape the future of real estate in New York and beyond. FASHION MEETS REAL ESTATE IN A POST-PANDEMIC WORLD In Lee’s world, fashion intertwines with New York real estate and development, influenced by the era, societal needs, and the city’s ongoing revitalization. The 76 Eight Avenue project exemplifies this evolution. It’s a prominent new boutique office building developed by Noviprop, a family-owned real estate company with properties throughout New York City. The office building is the dream project of Lee's husband, who is the principal of Noviprop. The COVID-19 pandemic significantly transformed the working lifestyle and office spaces in New York City. Before the pandemic, the traditional 9-to-5 office schedule, five days a week, was widely accepted as the standard for effective work. However, as the pandemic forced a shift to remote work, “it was for many office workers, remote work or essentially no work,” as Lee observed. This unplanned but necessary experiment revealed that productivity could be maintained—or even enhanced—without daily commutes or a constant physical presence in the office. Employers, who “may not have asked for” the remote work experiment and “may wish it had never happened,” found themselves with little choice, Lee noted. It quickly became clear that remote work was effective enough to spark a “continuing debate about the value and necessity of commuting to work on a daily basis.” The rapid adoption of virtual meeting platforms like Zoom and Microsoft Teams further facilitated this shift, proving that many tasks and meetings could be conducted just as effectively from home. As a result, a significant number of employees, “after they tasted flexibility,” became reluctant to return to the rigid office-based schedules of the past, according to Lee. Consequently, the demand for commercial real estate in New York City has undergone a fundamental shift. The pre-pandemic approach, which linked demand directly to the number of office workers, no longer applies. Companies are now rethinking their office needs, often downsizing and moving towards a more flexible model that doesn’t require a dedicated desk for every employee. “I think we are still in the midst of that shakeout,” Lee commented. One clear outcome of this ongoing transition is a decreased overall demand for office space, leading to a “flight to quality” where businesses seek modern, well-located buildings. Older buildings in less desirable areas are the primary losers in this dynamic. In contrast, projects like 76 Eight Avenue, a new and modern development in a prime neighborhood, have benefited from this trend, being “leased up prior to completion.” The ongoing changes in work culture and space requirements are reshaping the commercial landscape, with implications that are likely to be felt for years to come. DESIGNING FOR THE FUTURE The design of 76 Eight Avenue was directly influenced by the evolving needs of both employers and employees, particularly in the context of a post-pandemic work environment. Boutique office spaces have become similar to high-end residential places where tenants now seek turnkey spaces that are move-in ready with great appliances and amenity spaces such as gyms, bike storage, and more. This shift in expectations was central to the design consideration for 76 Eight Avenue, where top-of-the-line appliances were included in bathrooms and kitchens, along with bike storage and a rooftop space with a bar and grill for people to gather and enjoy the environment. In addition, the design approach further incorporated principles akin to Pungsu, Korea’s version of Chinese Feng Shui. Pungsu—literally meaning “wind-water-earth-principles-theory”—is an ancient art of geomancy involving the auspicious placement and arrangement of buildings based on topography. Reflecting this cultural influence, attention was paid to creating harmony between the building and its surroundings, considering factors such as energy flow, the orientation of doors, and the strategic placement of elements like mirrors. Located in the West Village, an area known for its historic, landmarked buildings, the opportunity to construct an ultramodern building presented a striking contrast to the traditional surroundings. As Lee described, “We had the opportunity to build an ultramodern building in this setting, offering a nice contrast to the existing surroundings.” This contrast is most evident from inside the building, where large floor-to-ceiling windows allow office workers to enjoy views of the “beautiful gargoyled facade of a landmarked building across the street.” This juxtaposition between the new and the old reflects the changing expectations of modern office workers. They seek environments that are not only functional, but also visually stimulating and connected to their surroundings. NAVIGATING THE CHALLENGES OF MANHATTAN DEVELOPMENT Developing property in Manhattan presents unique challenges and opportunities that differ significantly from those in other major cities. Manhattan’s density and the presence of many historic areas require developers to approach projects with a heightened sense of responsibility and sensitivity to the surrounding environment. As noted by Lee, “With 76 Eight Avenue, we were presented with an opportunity to create something on a very prominent corner of one such area for generations to come.” This sentiment underscores the dual challenge of contributing to the city’s architectural legacy while ensuring that new developments enhance rather than detract from the character of their neighborhoods. Lee acknowledges the subjective nature of beauty, stating, “Beauty is in the eye of the beholder, but I like to think we succeeded with this one.” THE EVOLVING DEFINITION OF FASHION IN REAL ESTATE In the context of New York City real estate, what defines “fashionable” is multifaceted and ever-evolving. Lee emphasizes that the essence of a fashionable development lies in its ability to enhance its neighborhood, whether through an ultramodern design, a classic red-brick townhouse, or even a well-placed piece of graffiti art. As she puts it, “The beauty of New York City is that you can have these right next to each other.” This eclectic mix of styles and the visual experiences they create are part of what makes New York City unique. The goal, according to Lee, is to avoid the wrong answers in design and hopefully land on one of the best, thereby contributing positively to the city’s vibrant and diverse landscape. The convergence of fashion and real estate illustrates the evolving nature of urban development and societal trends. The 76 Eight Avenue project exemplifies this trend in New York City, showcasing how contemporary design and functionality address the city's changing needs. It reflects a broader movement where modern developments balance innovation with respect for historic surroundings. As cities like New York adapt and revitalize, such projects highlight how the intersection of fashion and real estate can drive urban transformation and enrich the city’s character. 1/4 Images provided by: Minae Lee | 76 Eight Building NYC

Jeremy Hu Luxury Real Estate Agent Trust: The Key to Jeremy Hu’s Success in NYC’s Luxury Real Estate In many Asian societies, trust is the bedrock of personal and business relationships, fostering long-term connections, collective harmony, and respect. Jeremy Hu, a standout luxury realtor in New York City, personifies this value. “Trust is number one in any industry, in any deal-making,” Jeremy asserts. Jeremy’s multicultural background has significantly shaped his career. Born in Taiwan, he moved to Singapore at 14, then attended a boarding school in England. He graduated from Central St. Martins College of Arts and Design in London, focusing on advertising and graphic design. During his time in London, Jeremy’s modeling career took off after being discovered for a Pepsi TV commercial. He appeared in numerous TV commercials, print ads, music videos, and runway shows, including modeling women’s clothing for Alexander McQueen. “I had an absolutely exhilarating time, feeling inspired by the incredible people I met, the stunning places I explored, and the unforgettable, vibrant parties I attended. It was a truly uplifting and memorable experience,” Jeremy recalls. Modeling women’s wear on the runway was a unique experience for Jeremy. “I was confused,” he admits about being asked to wear a dress. His slender figure and long hair made him ideal for the role. Unlike today’s generation, which has more outlets for expressing diverse gender identities, Jeremy felt more constrained by traditional expectations. “I think that’s great,” he says of the younger generation’s freedom. Despite societal constraints, Jeremy grew up feeling authentically himself, nurtured by loving parents and a talent for socializing. A summer visit to New York City during his time in London marked a turning point for Jeremy. “The moment I arrived, I knew this is my home,” he recalls. Despite his parents’ preference for him to return to Taiwan, Jeremy was determined to move to NYC. After graduating from college, he was eager to start his professional life in the big city. Although working in London was challenging for a foreign graduate, the opportunities in NYC suited his educational background perfectly. Jeremy’s early career in New York began with an internship at an advertising company representing brands like Calvin Klein. This led to a work visa sponsorship. Simultaneously, he helped establish a new fashion store in the Lower East Side, making the neighborhood trendy. “I didn’t sleep much having two jobs, but the excitement kept me going,” Jeremy recalls. Jeremy's keen creative eye, artistic background, and extensive training allowed him to excel in his early career endeavors. He thrived in the advertising industry for many years, utilizing his experiences and connections from his time in London and his modeling profession. Moreover, he successfully operated his own art gallery as a dealer before making a transition into real estate. Today, Jeremy is synonymous with luxury real estate in NYC. His personable nature, practical mindset, and positive approach—key characteristics of his Asian background—have earned him the trust of his clients. He is a founding member of LEVEN Real Estate, where he and his team of experienced agents focus on the ultra-luxury market while catering to a wide range of clients. His dedication and hard work have resulted in several record-breaking deals. The diverse team at his company, fluent in over 17 languages, has successfully served clients from more than 51 countries. Fluent in Mandarin and deeply understanding Asian societies and business practices, Jeremy has carved out a niche by expanding his services to potential Asian clients. Many of his clients are parents of foreign students attending NYC universities, finding it more suitable to buy than rent. Jeremy returns to Taiwan annually, maintaining his cultural roots and personal connections. One memorable real estate experience stands out to Jeremy. “Whatever you think, we are fine. We trust you, we listen to you,” a high-profile client once told him. This trust motivates Jeremy to deliver his work with ease and professionalism. When asked about challenges in his field, Jeremy responds, “I don’t see any challenge as a challenge because I will try to look at the brighter side. It is not something I would even consider dwelling on.” For him, focusing on solutions rather than problems is key. Describing the NYC luxury real estate market as vibrant and highly desirable, Jeremy notes, “The city boasts an incredible lifestyle with world-class entertainment, dining, education, and being the financial capital of the world. The whole package itself is enticing.” Despite his success in the complex world of luxury real estate and a hectic NYC lifestyle, Jeremy remains warm and grounded, truly loving what he does. His morning meditation routine provides balance, and he enjoys spending time with friends in the city. “Everything I do is very much tied to the business. I do not have much distinction between personal and professional life.” Jeremy’s lifestyle and outlook are exceptional, finding harmony between loving what he does and using his calm nature to set his own standards in dealing with people in such a demanding city. Reflecting on his journey and offering insights for the younger generation, Jeremy’s advice is clear: “Dream big. Have the biggest ambition possible because the journey to get there requires the same time and energy as a smaller goal. If you aim high, you can achieve anything below that easily. When there’s no choice, you need to act as if your life depends on it. That gives you the urgency and motivation to succeed.” Photo credit: Provided by Jeremy Hu

Dayat Sutisno Indonesia Dayat Sutisno.jpg Dayat Sutisno.jpg 1/1 Photo credit: Dayat Sutisno His photography captures profound stories in a single frame, making words almost unnecessary. Dayat Sutisno is an Indonesian photographer known for capturing compelling images that often reflect the rich cultural and natural landscapes of Indonesia. His work typically emphasizes the vibrant life, traditions, and scenic beauty of the country, bringing to light aspects of Indonesian society and environment that might otherwise go unnoticed. Sutisno's photography is noted for its vivid use of color and composition, which creates a powerful visual narrative.

Fluid Gold Journal digital publication editor explains the origin and intentions of the journal. DIASPORIC LUMINOSITY Welcome to Fluid Gold Journal, a vibrant and forward-thinking digital publication dedicated to celebrating the rich cultural heritage, shared histories, and contemporary stories of Asian communities worldwide. Our mission is to inspire connection, creativity, and understanding across all cultures by exploring meaningful narratives and perspectives. We extend our gratitude to Mr. Taipan Lucero for anchoring the essence of Fluid Gold Journal through his Baybayin-inspired logo, in which he incorporated Baybayin calligraphy, reflecting his expertise as a calligrapher. THE EDITOR'S STORY Fluid Gold Journal was born from a passion for uncovering the profound connections that link Asian communities across centuries and geographies. While we celebrate the shared histories that unite us, we also aim to recognize the complexities and diversity of Asian cultures, showcasing both their similarities and differences. By doing so, we strive to create a platform that honors individuality, resists the homogenization of experiences, and avoids fostering stereotypes. Through this lens, the journal celebrates the evolving stories that define the Asian experience while fostering deeper appreciation and understanding. MODEL ONE Before the modern era, Asia thrived as a vibrant tapestry of interconnected cultures, with trade, art, and knowledge flowing seamlessly across its vast expanse—from the steppes of Central Asia to the shores of the Pacific, the mountains of the Himalayas to the islands of the Indian Ocean. These exchanges fostered a dynamic blend of ideas, traditions, and practices that shaped a collective legacy of creativity and resilience. Fluid Gold Journal celebrates this diversity by recognizing and honoring the unique contributions from every corner of the continent, emphasizing the interconnectedness and individuality of each culture. MODEL TWO Imagine a family gathering where generations come together to share stories, laughter, and meals. In this space, the wisdom of elders mingles with the vibrant ideas of younger members, and tales of daily life intertwine with cherished cultural traditions passed down over time. These moments capture the universal importance of family as the heart of storytelling, preserving and celebrating both individual and collective heritage. Through Fluid Gold Journal, we invite readers to explore and appreciate the cultural threads that weave through time and across regions, fostering a deeper understanding of the connections that unite us all. Fluid Gold Journal warmly welcomes contributions from writers, artists, poets, historians, and travelers of all backgrounds. Your unique perspectives and creative expressions are essential in celebrating our shared cultural legacies. Fluid Gold Journal is a publication of Mula Project which is fiscally sponsored by the New York Foundation for the Arts (NYFA). Pamela A. Coumans Editor | Fluid Gold Journal SUPPORT FLUID GOLD JOURNAL DONATE To request for your work to be published, please contact us at info@fluidgoldjournal.com Subscribe now and join the circle! Join Our Mailing List Thanks for subscribing!

Arman Nurmukhanbetov Echoes of the Great Steppe: Arman Nurmukhanbetov Reflects on his Saka Culture The history of the Saka people, though often overshadowed by the grand narratives of ancient empires and civilizations, tells a compelling story of resilience, innovation, and cultural influence that continues to resonate. As nomadic tribes traversing the vast Eurasian Steppe, the Saka were far more than warriors or herders. They were pivotal agents of cultural and economic exchange, shaping the development of entire regions. While Europeans referred to them as the Scythians, the Saka are known as “Saka” or “Sakha” in Kazakhstan and surrounding areas—terms that reflect their cultural identity distinct from the European designation. Emerging research sheds new light on their origins and cultural impact, pointing to roots in Siberia. This connection is explored in Bruce Bower’s October 8, 2024, Science News article, Ancient Scythians Had Cultural Roots in Siberia . In their October 7, 2024, Antiquity report, archaeologist Gino Caspari and his colleagues analyzed artifacts from the 2,800-year-old Tunnug 1 burial mound in southern Siberia. Among these artifacts were “two bronze belt fittings decorated with stylized animals like those in later Scythian art, horse-riding gear, and metal and bone arrowheads.” These discoveries indicate that mounted Siberians played a critical role in disseminating artistic and burial practices westward across Asia within a relatively short time. The “animal style” motifs found among the Saka’s artistic traditions exemplify their cultural influence. These motifs continue to inspire contemporary Central Asian design, particularly in textiles, jewelry, and architecture. The discoveries at Tunnug 1 also offer striking parallels to Herodotus’s descriptions of Scythian kingly burials, including the use of birch stakes for ceremonial purposes, underscoring the depth and longevity of Saka ceremonial practices. The Saka’s legacy extends beyond their artistry. Their contributions to the development of the Silk Road positioned them as architects of cultural and economic exchange, permanently shaping Central Asia’s identity as a historical crossroads. Such enduring influence amplifies the significance of preserving their traditions and sacred heritage. Arman Nurmukhanbetov, a distinguished cultural historian, shamanic practitioner, and passionate advocate for the Great Steppe’s heritage, emphasizes this point: “The people who do not respect their sacred places disappear. Remember to hold your traditions, visit your holy places, and your people will live forever.” His words serve both as a tribute to the Saka’s enduring legacy and as a call to honor and safeguard their sacred traditions for future generations. A Childhood Rooted in History Born in 1970 in Almaty, the capital of modern independent Kazakhstan, Arman Nurmukhanbetov’s early life unfolded during the Soviet era. Reflecting on this period, he states, “My country was then an occupied part of the Russian Empire,” a poignant observation that underscores the political and historical realities of his upbringing in the Kazakh Soviet Socialist Republic. Nurmukhanbetov grew up in a close-knit family with three brothers—one older and two younger—in a household where order, respect for elders, and dedication to education were paramount. His father, a scientist and archaeologist, had a profound influence on his formative years. “Starting in April, as soon as the snow melted, my father went on expeditions, often taking us with him,” Nurmukhanbetov recalls, offering a glimpse into how his early exposure to the steppe’s rich historical and cultural heritage shaped his worldview. Equally influential was his mother, whose resourcefulness in navigating the constraints of limited resources defined much of their family life. “When we were little, she worked in the same kindergarten where we were sent to take care of us there. When we grew up a little and went to school, she got a job in the school cafeteria to feed us lunches,” he shares, illustrating her dedication to their well-being. These childhood experiences, though modest and full of challenges, instilled in Nurmukhanbetov a resilience and a deep appreciation for history and heritage—qualities that would later serve as the foundation for his future endeavors. Educational Struggles, Self-Determination, and Cultural Identity In 1989, Nurmukhanbetov embarked on his academic journey at the Faculty of Journalism at Kazakh State University. However, his aspirations were interrupted by a serious illness, casting a shadow over his education. Reflecting on that period, Nurmukhanbetov recalls, “When I recovered, the economic crisis of the 1990s began. There was no time for studying—I had to feed my younger brothers and work a lot.” Despite these challenges, Nurmukhanbetov's determination remained unshaken. He turned to self-education, immersing himself in subjects that would later define his career. This unwavering pursuit of knowledge earned him respect and success, proving that formal credentials are just one path to achievement. Nurmukhanbetov's struggles mirrored the broader experience of his fellow Kazakhs during a transformative time in history. Following the collapse of the Soviet Union, Kazakhstan emerged as an independent nation, facing economic hardship, social upheaval, and the challenge of forging a new identity. Yet, like a phoenix rising from the ashes, the country demonstrated remarkable resilience and innovation, showcasing the enduring strength of Kazakh culture. Language, too, became a cornerstone of this journey, both for Nurmukhanbetov personally and for Kazakhstan as a whole. Fluent in Kazakh, Russian, and English, Nurmukhanbetov reflects on the difficulties of reclaiming his native language: “Under the Soviet Union, the languages of conquered peoples were eradicated. In Almaty, a city of over a million, there was only one Kazakh school during my childhood.” Rediscovering and mastering the Kazakh language as an adult was not only a deeply personal achievement for Nurmukhanbetov but also a vital act of reconnecting with his heritage—a shared endeavor for many Kazakhs striving to reclaim their cultural identity in a post-Soviet world. Saka Traditions and Nomadic Heritage Though details of Saka history were scarce in his childhood, Nurmukhanbetov fondly recalls a children’s couplet: “I am a Saka, I have an akinak.” This pride in their warlike ancestors, symbolized by the akinak (a short sword), resonates deeply in Kazakh culture, where the ancient warrior spirit of the Saka people continues to be honored. “The knightly traditions of the Great Steppe, rooted in Saka civilization, remain significant today,” he notes, underlining the persistence of warrior values across time. Hospitality, ancestral lineage, and burial customs are enduring elements of this heritage that tie present-day Kazakhs to their forebears. Nurmukhanbetov's reflections explore the unique worldview of nomads. “The nomadic way of life wasn’t forced by natural conditions. It reflected an internal choice—a love for freedom, travel, and an expansive worldview,” he explains, emphasizing that this way of life was a conscious embrace of boundless horizons. In his view, the nomadic lifestyle is not merely a response to external factors, but a profound reflection of the individual’s internal values, a desire for unattachment to a single place, and a deep yearning for freedom. "The only, main problem of the nomadic way of life," he observes, "is the full life in an absolutely wild natural environment, in the palm of the pristine elements. This is not available to everyone." The constant need to move, he notes, can be challenging for some, yet it offers a unique kind of freedom for those who embrace it. He goes on to explain that while a sedentary person might view constant movement as a burden, for a nomad, it is a joyous and liberating experience. "For a sedentary resident, moving is akin to a disaster. For a nomad, it is a joy and a holiday. For a sedentary person, life in nature is eternal discomfort and stress. For a nomad, it is constant pleasure." This contrast, he argues, lies at the heart of the nomadic identity: the freedom to roam, to experience the world, and to live unbound by fixed structures. Nurmukhanbetov further challenges the view that nomadism is a forced adaptation to natural conditions, emphasizing instead that it was, and remains, a choice—a deep-seated value of freedom and exploration. He believes the nomadic way of life is connected, first of all, to an internal choice—a value of being unattached to one place, a desire for the freedom of movement, and a passion for travel and new sensations. Nurmukhanbetov also highlights the Kazakh saying, "He is not rich who has a lot. He is rich who has seen a lot." While a sedentary person might live his whole life in the limited space of a city, the nomad covers thousands of kilometers, encounters many landscapes and cultures, and absorbs languages, faiths, and arts. In this sense, the nomad is far more developed and has a much broader worldview than the sedentary person. This perspective is central to understanding the persistent nature of nomadic traditions, even in the face of modern pressures. "In the 1920s and 1930s, the nomadic way of life faced substantial disruption with the arrival of Soviet collectivization. This was a period when the traditions of the steppe were forcibly interrupted," he states. The collective push for urbanization and permanent settlement marked a significant rupture, yet despite these historical challenges, the core values of warrior pride and nomadic resilience remained ingrained in Kazakh culture. Drawing connections between past and present, Nurmukhanbetov highlights the continued influence of Saka traditions in modern Kazakh life. "If we talk about those aspects that are still relevant today, then this is, firstly, and certainly, the warlike nature of the Kazakhs, who traditionally lead in various kinds of martial arts, for example, boxing or wrestling," he shares. The skills and discipline honed by ancient Saka warriors continue to shape the modern identity of Kazakhs, demonstrating the enduring connection between their historical legacy and contemporary practices. One of the most striking continuities between ancient Saka practices and modern Kazakh culture is the persistence of funeral customs, which still reflect the ancient traditions of honoring the deceased. As noted by Nurmukhanbetov, the Sakas traditionally held lavish funeral ceremonies, arranged memorial rites, and constructed elevated burial mounds for their deceased. "Even today, the Kazakhs, even calling themselves Muslims, still cannot get used to the Islamic tradition of simply burying the deceased, installing a simple stone on his grave and trying to forget about him forever." Instead, the Kazakhs maintain rituals of remembrance that go beyond Islamic norms, with wakes held not only on the day of the funeral but also on the seventh day, the hundredth day, and even one and three years later. Furthermore, the Kazakhs decorate graves in a distinctive manner, building elaborate mausoleums—a practice strictly prohibited in Islam, yet deeply rooted in the Saka tradition of erecting grand burial mounds. These enduring customs reflect a broader cultural refusal to sever ties with ancestors, reaffirming the living presence of lineage and legacy in Kazakh society. Cultural Preservation and Art For over two decades, Nurmukhanbetov has been a tireless advocate for preserving the culture of the Great Steppe. “For a quarter of a century, since 1999, I have been exclusively engaged in promoting the culture of the Great Steppe,” he says, reflecting on his expansive contributions. From writing articles and poetry to organizing events, he has explored every medium to share its richness. One of his most significant efforts is the promotion of the Sakas’ contributions to art, particularly their famous Animal Style. This unique art form, characterized by dynamic depictions of animals in various poses such as running, dancing, or fighting, was crafted from diverse materials like metal, gold, wood, felt, bone, and even amber. The Sakas integrated these vivid representations of animals into every aspect of their lives—decorating yurts, carpets, weapons, dishes, and horses. It is widely believed that the Saka Animal Style influenced the art of neighboring cultures, the Germanic tribes, the Iranians, and the Chinese, showcasing its enduring impact. Beyond visual art,Nurmukhanbetov highlights the importance of the Sakas’ musical heritage. Stringed and plucked instruments, believed to have originated with nomadic peoples, were made from animal bones, sinew, and intestines—materials readily available to cattle breeders. These early instruments not only reflect the ingenuity of the Sakas but also their deep connection to nature and their environment. Recently, Nurmukhanbetov has shifted his focus toward the development of Kazakh shamanic traditions. “I have left all these activities and fully concentrated on the development of Kazakh shamanic traditions,” he explains. As the founder of one of the first shamanic schools in Kazakhstan and the author of the First Kurultai of Kazakh Shamans in March 2024, Nurmukhanbetov is pioneering efforts to preserve and promote this sacred practice. His method of revealing the shamanic gift has drawn numerous students, and his scientific research, encapsulated in the book Kasiet , marks the first publication dedicated to the sacred magical gift, ensuring that this vital aspect of Kazakh culture continues to thrive in the modern world. Horses and Warrior Culture Horses held a sacred place in Saka life, serving as companions, status symbols, and tools of war. Nurmukhanbetov recounts several traditional practices, such as rider initiation ceremonies for young children and symbolic gestures like cutting a horse’s tail to signify mourning or declare war. He observes that "the Kazakh respect for horses and martial arts has its roots in Saka traditions," and that such practices were deeply embedded in the nomadic way of life. One example is the "rider initiation" ceremony, a universal practice for all nomads. A three-year-old child would be ceremoniously seated on a horse, with special embroidered bags hung on the horse’s croup. The newly initiated rider would then be led through the entire aul (nomadic camp), and residents would offer congratulations, gifts, and treats to the child. Another practice tied to horses was associated with funeral rites. If someone died in the village, the deceased's relatives would cut off the tail of their horse, hang it on a spear, and attach the spear to the wall of the yurt. This "banner of death" served as a visual signal, allowing others to see from a distance which house was in mourning. Similarly, cutting off a horse’s tail during a stay on the territory of another clan or family symbolized a declaration of war on that group. This respect for horses extended to Saka women, who were often active in equestrian culture. As Nurmukhanbetov explains, "The traditional respectful attitude of the Kazakhs towards women is clearly of Saka origin." He points to traditions like bride-groom wrestling and the game of Kyz Kuu, which reflect the empowerment of women in Saka society and their significant role in the warrior culture. The Role of Women Arman Nurmukhanbetov underscores the elevated status of women in Saka society. He explains, “The Saka bride had to fight her groom before marriage—if he lost, he became under her servitude,” illustrating the society’s unique gender dynamics. This legacy persists in modern Kazakh games like Kyz Kuu, where women compete with men in horseback races. If a man fails to catch the woman as she races away from him, she will pursue him. The Saka culture, part of the nomadic societies of the Great Steppe, exhibited a remarkably egalitarian approach to gender roles, particularly in comparison to many other ancient societies. Women in Saka society enjoyed significant status and independence, with archaeological evidence suggesting their participation in military activities and leadership roles. According to Barry Cunliffe in By Steppe, Desert, and Ocean: The Search for the Scythians , "one-fifth of the excavated warrior burials dating from the fifth to fourth centuries are female," challenging the notion that warfare was exclusively a male domain. Historical Figure When asked about an influential Saka figure in history, Nurmukhanbetov highlighted the extraordinary story of Shirak, a humble Saka shepherd who used his wit and bravery to outsmart one of the most powerful empires of his time. Shirak’s tale is one of resourcefulness and sacrifice. When the Persian army threatened his people, he devised a clever plan: he altered his appearance and entered the Persian camp, claiming that the Sakas had harmed him and that he sought vengeance. Shirak persuaded the Persians to trust him and follow him into the desert, where he promised to lead them to the rear of the Saka forces, where their families were hidden. Once they ventured deep into the desert, however, Shirak's deception was revealed, and the Persians, unprepared for the harsh environment, were left stranded. Though Shirak's actions ultimately cost him his life, his strategic brilliance and self-sacrifice are remembered as a powerful example of courage and cleverness, leaving a lasting legacy in the history of the Saka people. Connecting Saka to the World As Nurmukhanbetov explains, the Saka people were not isolated but deeply intertwined with global history. Their military tactics, artistic influences, and even contributions to the Gregorian calendar reveal their far-reaching impact. “The mounted knight, a symbol of medieval Europe, originates from the Great Steppe,” he asserts, tracing the lineage of warriors like the Huns, Sarmatians, Pechenegs, and Avars to Saka traditions. The military techniques and tactics of these nomads, unmatched in their time, contributed directly to the development of the mounted cataphract, a precursor to the European knight. This cultural influence is not only reflected in military strategy but also in intellectual achievements. For instance, Dionysius Exiguus, a Scythian monk, proposed the widely used Gregorian calendar, marking a lasting legacy from the Saka. Moreover, figures like Anacharsis, a Scythian who introduced the anchor to the Greeks, further illustrate the profound impact of these nomadic peoples on ancient civilizations. Even the legendary Greek hero Achilles is believed to have had Scythian origins, with some sources suggesting that his story inspired the creation of Europe’s earliest epic. As Nurmukhanbetov highlights, these examples underscore the dynamic exchange between the nomadic and sedentary worlds, an influence that has long been overlooked but undeniably shaped the course of history. When asked about the historical trade or influence the Saka people may have had on Southeast Asia, Nurmukhanbetov remarked, "Unfortunately, I do not know of a direct connection between the Sakas and Southeast Asia. However, the Sakas certainly influenced China. Which, in turn, influenced the rest of the continent." He further explained that gold processing technologies and stylistic features from the Animal Style of the nomads, which originated in Saka workshops, eventually reached China, demonstrating a ripple effect of Saka influence across regions. Nurmukhanbetov also offered an alternative perspective on the Great Silk Road, suggesting it could be seen differently from the viewpoint of the Sakas. He noted, "Silk went only in one direction, from East to West. From West to East, from the Saka steppes to China, herds of horses went, which were absent in China." This exchange was pivotal in shaping China's cavalry and chariot technologies, which were deeply reliant on nomadic horse culture. Furthermore, he observed that the Sakas' military advancements, such as the development of the double-layered sword, impacted Asian cultures, including the Koreans and Japanese. "The characteristic features of its attachment to the warrior's torso were directly borrowed by the Koreans, and then by the Japanese, from the Sarmatians," he added. These influences, he concluded, might have even extended to the more southern regions of Asia, but further research is needed to explore these phenomena in depth. Advice for the Next Generation Arman Nurmukhanbetov’s message to young people is clear: “Know your heritage. Study it, preserve it, and adapt it for the modern world.” His own life’s work is a testament to this philosophy—an unwavering commitment to celebrating and preserving the culture of the Great Steppe. Reflecting on the importance of heritage, he emphasizes, "If you want to know yourself, get to know your ancestors. If you want to imagine your future, get to know the past. If you want to love your people, get to know the culture of the Steppe." These words go beyond a mere call to honor history; they urge the creation of a future that intertwines modernity with the wisdom of the past—a future where the Saka legacy continues to thrive. In a world where some may believe the past is irrelevant, Nurmukhanbetov challenges this view by asserting, “We come from something. We are descendants of someone. We think like someone in the past. We are like one of our ancestors. We move like them, we think like them. In fact, we are them. We are only a link in an endless chain of succession. Not the first and not the last.” For him, the legacy of the Saka is more than just history—it is an intrinsic part of identity. He believes that to understand who we are, we must look to our roots, for “if we do not know anything about this, if we do not think about it, then we will not be complete.” Through the continued exploration of Saka culture, both academically and in everyday life, Kazakhstan’s younger generations will keep the flame of their ancestors alive, ensuring that the Saka story is not a forgotten echo but a vibrant part of the global cultural tapestry. In this way, Nurmukhanbetov's vision calls for a dynamic blend of tradition and progress, a future that honors the past while shaping the world of tomorrow. Conclusion: The Saka People's Unparalleled Contribution In reflecting on the rich legacy of the Saka people, Arman Nurmukhanbetov emphasizes the timeless relevance of their traditions—an enduring proof of resilience, cultural exchange, and adaptability. His own journey of rediscovery and dedication to preserving the culture of the Great Steppe stands as an inspiring example for future generations. As Nurmukhanbetov urges, understanding and embracing the past is not just an act of remembrance but a foundation for shaping a future where heritage and modernity coexist harmoniously. The Saka people, with their unparalleled contributions to art, society, and history, remain an indelible part of Kazakhstan's identity and the world's cultural fabric. Their legacy, from the sacred bond with the land to the empowering role of women and the martial prowess of warriors, continues to inspire and inform the present. Much like the ancient traditions uncovered through recent archaeological findings, the Saka's impact on history and culture cannot be overlooked. By honoring this heritage, future generations can ensure that the echoes of the Great Steppe resonate for years to come, uniting the lessons of the past with the possibilities of tomorrow. 1/4 Images provided by: Arman Nurmukhanbetov, Gold by FGJ